Then again, Point Blank is the sort of movie that takes 45 minutes to reveal character secrets that you’ll be able to discern in 4.5 seconds. Most of the moments between them are more apt to inspire fan-fiction about Crossbones and Falcon chumming it up rather than any rooting interest in Abe or Paul. Neither do Grillo’s clashes with Mackie generate appreciable energy. Here, Paul is a black man, and Mackie gets to flirt, however faintly, with facing the fear of racial repercussions from his eventual acts of violence, no matter how necessary they may have been.īut this rendition of Point Blank is mostly a swiftly hoisted up-top high-five to the more impish inclinations and esoteric influence of producer Joe Carnahan the director of The Grey and The A-Team shares that credit here with Grillo, who brings none of the intangibility he infused into his 2017 Netflix double-pump action quickie Wheelman. To save her life, he must spring a wanted murderer named Abe (Frank Grillo) from his hospital and deliver him to a safe house.Įven though the French original was merely a passable thriller fleet of foot in its retreat from your brain, it’s an idea on which to imprint any number of cultural contexts. Indeed, much like fellow French-language thrillers Sleepless Night or District 13, this one has a prefab premise easily translated: A nurse named Paul (Anthony Mackie) becomes embroiled in a conspiracy after his very pregnant wife is taken hostage. It’s already been remixed into Korean, Tamil and Bangla versions. Instead, this Point Blank reconfigures a 2010 French film of the same name into English. Point Blank - now available on the streaming service - is a remake, yes, just not of John Boorman and Lee Marvin’s masterpiece about nihilism at the nexus of violence and crime (which was already reheated to tepidity in both cuts of Payback). ![]() Don’t get too testy about what Netflix has gone and done now.
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